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	<title>Bad Language &#187; How to write</title>
	<atom:link href="http://www.badlanguage.net/category/how-to-write/feed" rel="self" type="application/rss+xml" />
	<link>http://www.badlanguage.net</link>
	<description>Writing about writing</description>
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	<language>en</language>
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		<title>How women use the internet</title>
		<link>http://www.badlanguage.net/how-women-use-the-internet</link>
		<comments>http://www.badlanguage.net/how-women-use-the-internet#comments</comments>
		<pubDate>Wed, 01 Sep 2010 20:28:22 +0000</pubDate>
		<dc:creator>Laura Connell</dc:creator>
				<category><![CDATA[How to write]]></category>
		<category><![CDATA[Miscellaneous]]></category>

		<guid isPermaLink="false">http://www.badlanguage.net/how-women-use-the-internet</guid>
		<description><![CDATA[This is a guest post from Articulate intern, Laura Connell When women write, they write about relationships so it makes sense that women want to feel a connection with the material they read online. Connecting emotionally A survey commissioned by Yahoo and Starcom Mediavest Group (PDF) found that  96 percent of women say that they [...]


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			<content:encoded><![CDATA[<p></p><p><em>This is a guest post from Articulate intern, Laura Connell</em><a href="http://www.badlanguage.net/wp-content/uploads/2010/09/Photoxpress_3161558.jpg"><img style="margin: 0px 0px 0px 10px;border: 0px" src="http://www.badlanguage.net/wp-content/uploads/2010/09/Photoxpress_3161558_thumb.jpg" border="0" alt="Photoxpress_3161558" width="204" height="136" align="right" /></a></p>
<p>When women write, they write about <a href="http://www.badlanguage.net/men-and-women">relationships</a> so it makes sense that women want to feel a connection with the material they read online.</p>
<p><strong>Connecting emotionally</strong></p>
<p>A survey commissioned by <a href="http://us.i1.yimg.com/us.yimg.com/i/promo/yss_women04/pdf/final_rwdw_research.pdf">Yahoo and Starcom Mediavest Group</a> (PDF) found that  96 percent of women say that they frequently feel positive emotions while online. If your marketing doesn’t elicit a <a href="http://www.badlanguage.net/20-killer-words-and-13-words-that-kill">positive emotional reaction</a>, then you’re missing an opportunity.</p>
<p><strong>Women don’t consume media in a vacuum </strong></p>
<p>Women actively use the internet as they perform other tasks and as they view other media. Marketers can exploit this by ensuring that online marketing enhances your TV or print marketing &#8211; after all, your female audience is already viewing them side-by-side.</p>
<p><strong>“Female-friendly” websites are a myth</strong></p>
<p>The online content most popular with women includes news, weather, finance and games &#8211; items not found in most popular “women’s magazines”. Even though you are more likely to find horoscopes than football in Grazia magazine, more women visit sports sites than astrology sites when online.</p>
<p><strong>“Surching” </strong></p>
<p>Women are constantly “surching,” a hybrid of surfing and searching that focuses on a number of their favourite sites.</p>
<p>Women even “surch” when they go online to find something specific or are looking for an answer a question. The message to marketers is simple: it takes more than just search marketing or a great website to reach “the Surcher”. The key is smart, widely distributed internet advertising and a consistent presence in the places that your female audience visits.
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		<title>How to tell if your boss is lying</title>
		<link>http://www.badlanguage.net/how-to-tell-if-your-boss-is-lying</link>
		<comments>http://www.badlanguage.net/how-to-tell-if-your-boss-is-lying#comments</comments>
		<pubDate>Tue, 24 Aug 2010 06:27:28 +0000</pubDate>
		<dc:creator>Matthew Stibbe</dc:creator>
				<category><![CDATA[How to write]]></category>
		<category><![CDATA[Psychology]]></category>
		<category><![CDATA[Truth]]></category>

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		<description><![CDATA[There’s a great article in this week’s Economist about how to detect lies in conference calls. Here are some clues: References to general knowledge (“as you know…”) Overstatement (“fantastic” not “good”) Avoid the word ‘I’, using the third person instead Fewer hesitations Use of swear words (remember Jeff Skilling? I do – I saw Enron [...]


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</ol>]]></description>
			<content:encoded><![CDATA[<p></p><p><a href="http://www.badlanguage.net/wp-content/uploads/2010/08/iStock_000001464920XSmall.jpg"><img style="border-bottom: 0px; border-left: 0px; margin: 0px 0px 10px 10px; display: inline; border-top: 0px; border-right: 0px" title="iStock_000001464920XSmall" border="0" alt="iStock_000001464920XSmall" align="right" src="http://www.badlanguage.net/wp-content/uploads/2010/08/iStock_000001464920XSmall_thumb.jpg" width="136" height="203" /></a> </p>
<p>There’s a great article in this week’s Economist about <a href="http://www.economist.com/node/16847818">how to detect lies in conference calls</a>. Here are some clues: </p>
<ul>
<li>References to general knowledge (“as you know…”) </li>
<li>Overstatement (“fantastic” not “good”) </li>
<li>Avoid the word ‘I’, using the third person instead </li>
<li>Fewer hesitations </li>
<li>Use of swear words (remember Jeff Skilling? I do – I saw Enron a couple of weeks ago in London.)</li>
</ul>
<p>(The original research paper: <a href="https://gsbapps.stanford.edu/researchpapers/library/RP2060%20&amp;%2083.pdf">Detecting Deceptive Discussions in Conference Calls</a> (PDF) is also worth reading.)</p>
<p>These ‘tells’ are also attributes of a lot of bad marketing copy. So, if you want to increase the <a href="http://en.wikipedia.org/wiki/Truthiness">truthiness</a> of your copy, the lessons are clear: be specific, don’t treat the reader as an idiot, be modestly understated and use the first person. And don’t swear.</p>
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		<title>Quantifiers are from Mars, Pronouns are from Venus</title>
		<link>http://www.badlanguage.net/men-and-women</link>
		<comments>http://www.badlanguage.net/men-and-women#comments</comments>
		<pubDate>Fri, 13 Aug 2010 10:23:00 +0000</pubDate>
		<dc:creator>Laura Connell</dc:creator>
				<category><![CDATA[How to write]]></category>
		<category><![CDATA[Style]]></category>
		<category><![CDATA[Writing]]></category>

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		<description><![CDATA[This is another great guest post from my intern, Laura Connell. According to The Gender Genie, a free online tool that analyses your writing for feminine and masculine keywords, a man has written seven of my eleven Bad Language posts – this post is especially manly. The Gender Genie uses a simplified version of an [...]


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</ol>]]></description>
			<content:encoded><![CDATA[<p></p><p><em>This is another great guest post from my intern, Laura Connell. </em></p>
<p><a href="http://www.badlanguage.net/wp-content/uploads/2010/08/image2.png"><img style="border-bottom: 0px; border-left: 0px; margin: 0px 10px 10px 0px; display: inline; border-top: 0px; border-right: 0px" title="image" border="0" alt="image" align="left" src="http://www.badlanguage.net/wp-content/uploads/2010/08/image_thumb2.png" width="154" height="232" /></a> According to <em><u><a href="http://www.bookblog.net/gender/genie.php">The Gender Genie</a></u></em>, a free online tool that analyses your writing for feminine and masculine keywords, a man has written seven of my eleven Bad Language posts – this post is especially manly. </p>
<p>The Gender Genie uses a simplified version of an algorithm developed by a team of Israeli scientists who study the effects of gender of linguistic expression. To investigate how gender influences writing Argamon, Koppel, Fine and Shimoni studied 604 documents including non-fiction and fiction writing from both men and women in a wide range of genres- 25 million words were analysed in total. </p>
<p>The research confirms popular perceptions about gender differences in writing:</p>
<p><b></b></p>
<p><b>Male writing style</b></p>
<p><b></b></p>
<ul>
<li>More determiners (a, the, that, these) and quantifiers (one, two, more, some)</li>
<li>Male writers use more factual references, such as place, time and numbers</li>
</ul>
<p><b>Female writing style </b></p>
<p><b></b></p>
<ul>
<li>More pronouns (he, she, herself, myself, we, our)</li>
<li>Female writers choose grammatical terms that apply to personal relationships, such as &quot;for&quot; and &quot;with,&quot; more frequently than men do</li>
</ul>
<p><b>I’m a lady!</b></p>
<p><b></b></p>
<p>Moshe Koppel, one of the authors of the project, concluded that women are comfortable thinking about people and relationships, whereas men prefer thinking about things. </p>
<p>I suspect that my maths background has trained me to write about <i>things</i> as opposed to <i>relationships</i>, which is why my posts contain more determiners than pronouns. </p>
<p><b></b></p>
<p>When writing about people, <a href="http://www.badlanguage.net/eye-tracking-and-what-it-means-for-writers">Eye tracking and what it means for writers</a>, I write like a woman. When writing about things and ideas, Gender Genie concludes that I am a man – the same is true for <a href="http://www.guardian.co.uk/world/2003/nov/08/gender.comment">female writers at the Guardian newspaper</a>. </p>
<p><b></b></p>
<p>I won’t be making a conscious effort to make my writing more ladylike, after all it’s just my inner maths geek that writes like a man.</p>
<p><b></b></p>
<p><b>Intentional literary gender bending</b></p>
<ul>
<li><a href="http://www.guardian.co.uk/books/2010/mar/13/ten-best-john-mullan-literature">Men writing as women</a></li>
<li><a href="http://www.guardian.co.uk/books/2010/mar/20/ten-best-women-as-men">Women writing as men</a></li>
</ul>
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		<item>
		<title>Left brain vs. right brain for writers</title>
		<link>http://www.badlanguage.net/leftbrain-rightbrain</link>
		<comments>http://www.badlanguage.net/leftbrain-rightbrain#comments</comments>
		<pubDate>Wed, 11 Aug 2010 10:42:07 +0000</pubDate>
		<dc:creator>Laura Connell</dc:creator>
				<category><![CDATA[How to write]]></category>
		<category><![CDATA[Concentration]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Flow]]></category>
		<category><![CDATA[Productivity]]></category>

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		<description><![CDATA[Research has identified two types of people, those whose left-brain is dominant and those were the right-brain dominates. The dominant left-brain is &#8216;content&#8217; oriented, while someone with right-brain dominance will be &#8216;process&#8217; oriented. Left brain dominance: Logical Sequential Rational Analytical Objective Looks at parts Right brain dominance: Random Intuitive Holistic Synthesising Subjective Looks at wholes [...]


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</ol>]]></description>
			<content:encoded><![CDATA[<p></p><p><a href="http://www.badlanguage.net/wp-content/uploads/2010/08/image.png"><img style="display: inline; border: 0px;" title="image" src="http://www.badlanguage.net/wp-content/uploads/2010/08/image_thumb.png" border="0" alt="image" width="408" height="272" /></a></p>
<p>Research has identified two types of people, those whose left-brain is dominant and those were the right-brain dominates. The dominant left-brain is &#8216;content&#8217; oriented, while someone with right-brain dominance will be &#8216;process&#8217; oriented.</p>
<p>Left brain dominance:</p>
<ul>
<li>Logical</li>
<li>Sequential</li>
<li>Rational</li>
<li>Analytical</li>
<li>Objective</li>
<li>Looks at parts</li>
</ul>
<p>Right brain dominance:</p>
<ul>
<li>Random</li>
<li>Intuitive</li>
<li>Holistic</li>
<li>Synthesising</li>
<li>Subjective</li>
<li>Looks at wholes</li>
</ul>
<p><strong>Muse on the right, the critic on the left</strong></p>
<p>The right side of your brain is responsible for intuition and creative thinking and the left is responsible for that annoying inner critic. Shutting off your left-brain entirely would leave you unable to write —the left-brain produces language – but quieting your internal editor is the only way to get into the zone.</p>
<p><strong> </strong></p>
<p><strong>Writing flow</strong></p>
<p>Psychologist <a href="http://en.wikipedia.org/wiki/Mihaly_Csikszentmihalyi">Mihaly Csikszentmihalyi</a> coined the term &#8220;flow&#8221; as another way of referring to “creative <em>dissociation”</em>. Csikszentmihalyi describes flow as that perfect balance between challenge and ability.</p>
<p>According to Csikszentmihalyi, &#8220;You can&#8217;t make flow happen. All you can do is learn to remove obstacles in its way.&#8221;</p>
<p><a href="http://www.archetypewriting.com/articles/articles_ck/muse_block_ckFlowArticle.htm">Alice Flaherty</a> argues that creativity is due to a balance of your left and right brain. To make “flow” happen you don’t need to get <em>out</em> of your left-brain and into your right, but boost your creativity, <a href="http://www.badlanguage.net/how-to-concentrate-on-writing">concentrate on writing</a> and shush your inner critic.
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		<title>20 killer words and 13 words that kill</title>
		<link>http://www.badlanguage.net/20-killer-words-and-13-words-that-kill</link>
		<comments>http://www.badlanguage.net/20-killer-words-and-13-words-that-kill#comments</comments>
		<pubDate>Fri, 06 Aug 2010 08:03:00 +0000</pubDate>
		<dc:creator>Laura Connell</dc:creator>
				<category><![CDATA[How to write]]></category>

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		<description><![CDATA[People make buying decisions based on rational and emotional motivations. When structuring your writing you need to identify how you can appeal to both. In “Confessions of an Advertising Man” David Ogilvy listed the 20 most persuasive words in advertising: suddenly now announcing introducing improvement amazing sensational remarkable revolutionary startling miracle magic offer quick easy [...]


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</ol>]]></description>
			<content:encoded><![CDATA[<p></p><p><a href="http://www.badlanguage.net/wp-content/uploads/2010/08/iStock_000002827882XSmall.jpg"><img style="border-bottom: 0px; border-left: 0px; display: inline; border-top: 0px; border-right: 0px" title="love trap" border="0" alt="love trap" src="http://www.badlanguage.net/wp-content/uploads/2010/08/iStock_000002827882XSmall_thumb.jpg" width="425" height="282" /></a></p>
<p>People make buying decisions based on rational and emotional motivations. When structuring your writing you need to identify how you can appeal to both. </p>
<p>In “Confessions of an Advertising Man” David Ogilvy listed the <b>20 most persuasive words in advertising:</b></p>
<ol>
<li>suddenly </li>
<li>now </li>
<li>announcing </li>
<li>introducing </li>
<li>improvement </li>
<li>amazing </li>
<li>sensational </li>
<li>remarkable </li>
<li>revolutionary </li>
<li>startling </li>
<li>miracle </li>
<li>magic </li>
<li>offer </li>
<li>quick </li>
<li>easy </li>
<li>wanted </li>
<li>challenge </li>
<li>compare </li>
<li>bargain </li>
<li>hurry </li>
</ol>
<p>Persuasive words strike the fine balance between being rational and emotive whereas <a href="http://turningpointcc.com/2010/03/powerless-words/">powerless words</a> lack purpose and undermine the credibility of your writing.</p>
<p><b>Words to avoid</b></p>
<ol>
<li>But</li>
<li>Try</li>
<li>Don’t</li>
<li>Should</li>
<li>Need to</li>
<li>Have to</li>
<li>Could</li>
<li>Maybe</li>
<li>Perhaps</li>
<li>Might</li>
<li>Possibly</li>
<li>Potentially</li>
<li>Think</li>
</ol>
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		<title>Eye tracking and what it means for writers</title>
		<link>http://www.badlanguage.net/eye-tracking-and-what-it-means-for-writers</link>
		<comments>http://www.badlanguage.net/eye-tracking-and-what-it-means-for-writers#comments</comments>
		<pubDate>Mon, 26 Jul 2010 09:13:29 +0000</pubDate>
		<dc:creator>Laura Connell</dc:creator>
				<category><![CDATA[How to write]]></category>
		<category><![CDATA[Web design]]></category>

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		<description><![CDATA[People look all over the place when they first land on a page. Eye tracking studies have shown people tend to look at websites in an &#8216;F&#8217; pattern, but it&#8217;s not quite that simple. People don&#8217;t read what they look at– they scan for keywords People skip almost anything if they can avoid it. They [...]


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<li><a href='http://www.badlanguage.net/kindle-and-stanza-great-ways-for-writers-to-read-more' rel='bookmark' title='Permanent Link: Kindle and Stanza: great ways for writers to read more'>Kindle and Stanza: great ways for writers to read more</a></li>
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</ol>]]></description>
			<content:encoded><![CDATA[<p></p><p>People look all over the place when they first land on a page. Eye tracking studies have shown people tend to look at websites in an <a href="http://www.useit.com/alertbox/reading_pattern.html">&#8216;F&#8217; pattern</a>, but it&#8217;s not quite that simple. </p>
<p><b>People don&#8217;t read what they look at– they scan for keywords</b></p>
<p>People skip almost anything if they can avoid it. They focus on the areas they feel will be most useful to them &#8211; usually the navigation across the top and down the left hand side. </p>
<p><b>Tunnel vision</b></p>
<p>When people land on a site, they are arriving with a specific task in mind &#8211; they won&#8217;t look at all the other things your site has to offer. Readers also avoid content that looks like an advert – such as site banners. </p>
<ul>
<li><b>Obvious answers: </b>Readers will give up and look elsewhere if the answer they are looking for is not immediately obvious.<b></b> </li>
<li><b>People are happy to click IF your site flows: </b>You will drive visitors away if they have to click through levels where they must stop and think where to go next. <b></b></li>
<li><b>Users scroll without even realising it:</b> The key is to ensure people are aware that more page content is below the fold. Avoid points on the page where the content cuts off. </li>
</ul>
<p><b>10 Tips to encourage reading</b></p>
<ol>
<li>Clear sub-headings </li>
<li>Start each page/paragraph with the conclusion </li>
<li><strong>One idea</strong> per paragraph </li>
<li><b>Ruthlessly</b> cut down the word count </li>
<li>Minimise instruction text </li>
<li><b>Highlight keywords</b> </li>
<li>Use lists/bullet points where possible </li>
<li>Use images instead of words </li>
<li>Ensure your site banners are mostly text </li>
<li>Check that your site <b>flows</b> </li>
</ol>
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		<title>Craptastic newspeak</title>
		<link>http://www.badlanguage.net/craptastic-newspeak</link>
		<comments>http://www.badlanguage.net/craptastic-newspeak#comments</comments>
		<pubDate>Mon, 26 Jul 2010 08:11:00 +0000</pubDate>
		<dc:creator>Laura Connell</dc:creator>
				<category><![CDATA[How to write]]></category>
		<category><![CDATA[Newspeak]]></category>

		<guid isPermaLink="false">http://www.badlanguage.net/craptastic-newspeak</guid>
		<description><![CDATA[Portmanteau: a word formed by blending sounds from two or more words and combining their meanings. All the cool kids are doing it now but that doesn’t mean it’s good, right? Hijacking perfectly good words Take ‘neutraceuticals’ for example. It combines two perfectly good words into one dismal one. Nutrient: a chemical that an organism [...]


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</ol>]]></description>
			<content:encoded><![CDATA[<p></p><p><a href="http://www.badlanguage.net/wp-content/uploads/2010/07/image1.png"><img style="border-right-width: 0px; display: inline; border-top-width: 0px; border-bottom-width: 0px; border-left-width: 0px" title="image" border="0" alt="image" src="http://www.badlanguage.net/wp-content/uploads/2010/07/image_thumb1.png" width="480" height="114" /></a> </p>
<p>Portmanteau: a word formed by blending sounds from two or more words and combining their meanings. All the cool kids are doing it now but that doesn’t mean it’s good, right?</p>
<p><b>Hijacking perfectly good words</b></p>
<p><b></b></p>
<p>Take ‘neutraceuticals’ for example. It combines two perfectly good words into one dismal one. </p>
<ul>
<li>Nutrient: a chemical that an organism needs to live and grow. </li>
<li>Pharmaceutical: chemical substances intended for use in medical diagnosis, cure, treatment, or prevention of disease. </li>
<li>Neutraceutical: supplements that are “not intended to diagnose, treat, cure, or prevent any disease”, but designed to promote ‘wellness’. </li>
</ul>
<p>So nutraceuticals are in fact, neither nutri nor ceutical. </p>
<p><sup><a href="http://en.wikipedia.org/wiki/Pharmaceutical_drug#cite_note-0"></a></sup></p>
<p><b>More frenemies</b></p>
<ol>
<li><strong>Bromance</strong>: brother, romance &#8211; a platonic friendship between two men </li>
<li><strong>Frenemy</strong>: friend, enemy &#8211; an enemy disguised as a friend or to a friend who is also a rival </li>
<li><strong>Staycation</strong>: stay, vacation – a holiday spent at home </li>
<li><strong>Twi-hards</strong> : Twilight, Die-hard – used to describe fans of the <a href="http://www.badlanguage.net/darcy-with-fangs-has-your-business-lost-its-bite">Twilight</a> series </li>
<li><a href="http://www.bbc.co.uk/worldservice/news/2010/07/100721_palin_nh_sl.shtml"><strong>Refudiate</strong>:</a> repudiate and refute, coined by Sarah Palin </li>
<li><strong>Octodamus</strong>: octopus, Nostradamus- used to describe Paul the psychic octopus </li>
<li><strong>Insania</strong>: insanity, mania – coined by Peter Andre </li>
<li><a href="http://mattbowditch.wordpress.com/2009/07/04/scandal-gate-an-open-letter-to-the-media/"><strong>Scandal-gate</strong></a>: (any scandal, Watergate) </li>
<li><strong>Gleek</strong>: Glee,geek – fans of the TV show Glee </li>
<li><strong>Bridezilla</strong>: bride, Godzilla- a demanding bride-to-be </li>
<li><strong>Brangelina</strong>: Brad Pitt, Angelina Jolie </li>
<li><strong>Mockumentary</strong>: mock, documentary </li>
<li><strong>Guesstimate</strong>: guess, estimate </li>
<li><strong>Scrooge</strong>: screw, gouge – coined by Charles Dickens </li>
<li><strong>Squiggle</strong>: squirm, wiggle </li>
<li><strong>Chortle</strong>: chuckle, snort – coined by Lewis Carroll </li>
<li><strong>Portmanteau</strong>: from the French porte (carry),manteau (coat) &#8211; hence a coat hook </li>
<li><strong>Lipsmackinthirstquenchinacetastinmotivatingoodbuzzin-cooltalkinhighwalkinfastlivinevergivincoolfizzin</strong> Pepsi&#8217;s used this 100-letter portmanteau in their 1973 TV and film advertising </li>
</ol>
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		<title>One headline to rule them all</title>
		<link>http://www.badlanguage.net/one-headline-to-rule-them-all</link>
		<comments>http://www.badlanguage.net/one-headline-to-rule-them-all#comments</comments>
		<pubDate>Thu, 22 Jul 2010 08:33:00 +0000</pubDate>
		<dc:creator>Laura Connell</dc:creator>
				<category><![CDATA[How to write]]></category>
		<category><![CDATA[Headlines]]></category>
		<category><![CDATA[Writing]]></category>

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		<description><![CDATA[Sometimes a headline needs to be serious: ‘Iran accuses journalist of spying’ and sometimes it needs to be fun: ‘Freddie Starr Ate My Hamster. But in every case it needs to be good. BBC News’ headlines are the best in the world according to web-usability guru Jakob Nielsen. Nielsen’s guidelines state that web headlines must [...]


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</ol>]]></description>
			<content:encoded><![CDATA[<p></p><p><a href="http://www.badlanguage.net/wp-content/uploads/2010/07/iStock_000003001750XSmall.jpg"><img style="display: inline; margin-left: 0px; margin-right: 0px; border: 0px;" title="iStock_000003001750XSmall" src="http://www.badlanguage.net/wp-content/uploads/2010/07/iStock_000003001750XSmall_thumb.jpg" border="0" alt="iStock_000003001750XSmall" width="258" height="185" align="right" /></a> Sometimes a headline needs to be serious: ‘Iran accuses journalist of spying’ and sometimes it needs to be fun: ‘Freddie Starr Ate My Hamster. But in every case it needs to be good.</p>
<p>BBC News’ headlines are the <a href="http://www.useit.com/alertbox/headlines-bbc.html">best in the world</a> according to web-usability guru Jakob Nielsen. Nielsen’s guidelines state that web headlines must be:</p>
<ol>
<li>Short</li>
<li>Rich in information scent, clearly summarising the target article</li>
<li>Front-loaded with the most important keywords</li>
<li>Understandable out of context (because headlines often appear without articles, as in search engine results);</li>
<li>Predictable, so users know whether they&#8217;ll like the full article before they click</li>
</ol>
<p>The BBC’s examples of ‘Italy buries first quake victims’ and ‘Iran accuses journalist of spying’ both pass the Web-usability test with flying colours.</p>
<p><strong>Web headlines for web readers</strong></p>
<p>The BBC’s has an advantage over newspaper rooted sites when it comes to crafting web-usable headlines.</p>
<p>Clever headlines that attract readers on the newsstands are not always search-engine friendly as they rarely contain keywords and proper nouns.</p>
<p>The first Google result for the classic Sun headline ‘Zip me up before you go-go’ is an article in the Independent about the return of the jump-suit &#8211; nothing to do with George Michael’s arrest for lewd behaviour.</p>
<p>‘Freddie Starr Ate My Hamster’ on the other hand fares rather well when put to the Google test.</p>
<p><strong>Having your pun and Googling it</strong></p>
<p>In February both the BBC and The Sun chose SEO friendly headlines when writing about China’s condemnation of Barack Obama’s meeting with the Dalai Lama.</p>
<p>The BBC went for ‘<a href="http://news.bbc.co.uk/2/hi/8523319.stm"><span style="text-decoration: underline;">China anger at Dalai Lama-Obama meeting</span></a>’.</p>
<p>The Sun opted for ‘Obama Lama ding dong’, proving that you don’t have to sacrifice a (bad) pun for your search-engine ranking.</p>
<p><strong>Reader challenge</strong></p>
<p>The challenge to Bad Language readers is to find:</p>
<ol>
<li>Brilliant headlines that pass the SEO test</li>
<li>Headlines, such as ‘<a href="http://www.myfoxboston.com/dpp/news/local/060209_Police_looking_for_man_baby">Missing baby found in Sandwich</a>’, that remembered their keywords but forgot to proofread.</li>
</ol>
<p>Add your nominations with a comment on this post.
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		<title>Word bloat and privacy policies</title>
		<link>http://www.badlanguage.net/word-bloat-and-privacy-policies</link>
		<comments>http://www.badlanguage.net/word-bloat-and-privacy-policies#comments</comments>
		<pubDate>Tue, 18 May 2010 08:39:23 +0000</pubDate>
		<dc:creator>Matthew Stibbe</dc:creator>
				<category><![CDATA[How to write]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Facebook]]></category>
		<category><![CDATA[Privacy]]></category>

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		<description><![CDATA[How many words do you need to say ‘we will protect your privacy’? Five if that is your real intention. However, if you want to make money, you need a lot more, as these graphics from the NY Times show. (Hat tip: Steve Clayton.) Related posts:Web, video and phone conferencing for writers, designers and entrepreneurs [...]


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</ol>]]></description>
			<content:encoded><![CDATA[<p></p><p>How many words do you need to say ‘we will protect your privacy’? Five if that is your real intention. However, if you want to make money, you need a lot more, as these graphics from the <a href="http://www.nytimes.com/interactive/2010/05/12/business/facebook-privacy.html">NY Times</a> show. (Hat tip: <a href="http://blogs.msdn.com/stevecla01/archive/2010/05/17/facebook-vs-us-constitution-a-cottage-industry-in-the-making.aspx">Steve Clayton</a>.)</p>
<p><a href="http://www.badlanguage.net/wp-content/uploads/2010/05/image1.png"><img style="border-bottom: 0px; border-left: 0px; display: inline; border-top: 0px; border-right: 0px" title="image" border="0" alt="image" src="http://www.badlanguage.net/wp-content/uploads/2010/05/image_thumb1.png" width="467" height="555" /></a> </p>
</p>
<p><a href="http://www.badlanguage.net/wp-content/uploads/2010/05/image2.png"><img style="border-bottom: 0px; border-left: 0px; display: inline; border-top: 0px; border-right: 0px" title="image" border="0" alt="image" src="http://www.badlanguage.net/wp-content/uploads/2010/05/image_thumb2.png" width="349" height="626" /></a></p>
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		<title>New Age terrorists develop homeopathic bomb</title>
		<link>http://www.badlanguage.net/new-age-terrorists-develop-homeopathic-bomb</link>
		<comments>http://www.badlanguage.net/new-age-terrorists-develop-homeopathic-bomb#comments</comments>
		<pubDate>Mon, 03 May 2010 06:25:00 +0000</pubDate>
		<dc:creator>Matthew Stibbe</dc:creator>
				<category><![CDATA[How to write]]></category>
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		<description><![CDATA[This made me giggle. Hat tip Bruce Schneier. From a writing perspective, satire can be a great way of making you see the structures that sit below writing conventions. In this case, the authors send up most reporting on terrorism: Abuse of technical-sounding catchphrases: “weapons of mass dilution.” Selective quotation from experts: in this case [...]


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			<content:encoded><![CDATA[<p></p><p><img src="http://www.newsbiscuit.com/wp-content/uploads/2010/04/partner-yoga-holding-sun.jpg" /></p>
<p><a href="http://www.newsbiscuit.com/2010/04/20/new-age-terrorists-develop-homeopathic-bomb/">This</a> made me giggle. Hat tip <a href="http://www.schneier.com/blog/archives/2010/04/homeopathic_bom.html">Bruce Schneier</a>. From a writing perspective, satire can be a great way of making you see the structures that sit below writing conventions. In this case, the authors send up most reporting on terrorism:</p>
<ul>
<li>Abuse of technical-sounding catchphrases: “weapons of mass dilution.”</li>
<li>Selective quotation from experts: in this case Hans Blix and Frank Gardner.</li>
<li>Unfounded fear-mongering: ‘Homeopathic weapons represent a major threat to world peace,’ said President Barack Obama, ‘they might not cause any actual damage but the placebo effect could be quite devastating.’</li>
<li>Security theatre (designed to reassure) rather than actual security (designed to protect): “new security measures at airports require that all water bottles be scanned to ensure that they are not being used to smuggle the memory of an explosion on board a plane.”</li>
<li>Credulity masked by a mistaken attempt at journalistic neutrality: “now we have weapons-grade homeopathy and we demand to be taken seriously”</li>
</ul>
<p>I’m against terrorism. But I’m also against hyped-up reporting. I think this <a href="http://www.newsbiscuit.com/2010/04/20/new-age-terrorists-develop-homeopathic-bomb/">NewsBiscuit</a> article out-Onions The Onion, which is no trivial thing.</p>
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